{"id":4736,"date":"2026-08-21T19:48:41","date_gmt":"2026-08-21T17:48:41","guid":{"rendered":"https:\/\/www.sogandnobahar.com\/?page_id=4736"},"modified":"2026-09-03T15:18:25","modified_gmt":"2026-09-03T13:18:25","slug":"editorial-print","status":"publish","type":"page","link":"https:\/\/www.sogandnobahar.com\/it\/editorial-print\/","title":{"rendered":"Editorial & Print"},"content":{"rendered":"
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EDITORIAL & PRINT<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Art Direction \u00b7 Graphic Design \u00b7 Fotografia Editoriale \u00b7 Restauro dell\u2019Immagine<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Milano, Italia \u00b7 2022 e 2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Due libri sul gioiello italiano. Entrambi scritti dalla stessa storica.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bianca Cappello<\/a> Bianca Cappello scrive di gioiello. \u00c8 storica e critica, membro della Society of Jewellery Historians di Londra e Perito in Preziosi per la Camera di Commercio di Milano.<\/p>

Ho progettato la sua identit\u00e0 nel 2019. Da allora mi ha coinvolta in due mostre museali e due libri.<\/p>

Questi sono i libri.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Carlo Zini, DREAMS<\/h3>

Carlo Zini ha creato bigiotteria a Milano per cinquant\u2019anni.\nCoccodrilli in pasta di smeraldo. Una maschera dorata con turchesi e corallo. Farfalle grandi quanto una mano.\nElizabeth Taylor indossava le sue parure e lasciava che tutti pensassero fossero regali di Richard Burton.<\/p>

Il libro doveva essere giocoso quanto il lavoro e rigoroso quanto la ricerca.<\/p>

Per questo la tipografia cambia. Lettere D\u00e9co disegnate appositamente per gli anni Settanta, sans serif geometrici per gli Ottanta, un corsivo inciso per le citazioni, titoli allineati a destra quando la pagina aveva bisogno di rallentare.\nNon un\u2019unica famiglia tipografica applicata con coerenza per tutte le 146 pagine, come normalmente accade in una monografia e come, in questo caso, avrebbe reso tutto troppo solenne.<\/p>

Italiano e inglese su ogni pagina, senza che una lingua fosse subordinata all\u2019altra. Nessuna appendice di traduzioni alla fine.<\/p>

Ho fotografato cinquantadue delle pagine. Sono tutte indicate nel colophon.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Lettere disegnate, non un font.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Il suo disegno di lavoro, e ci\u00f2 che ne \u00e8 nato.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Entrambe le lingue, nessuna subordinata all\u2019altra.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Non ogni oggetto voleva uno studio fotografico.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Testo allineato a destra e la palette pi\u00f9 quieta del libro.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Fronte e retro. I crediti sono sul retro.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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L\u2019elenco dei crediti, pagine 144\u2013145.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Segni Preziosi<\/h3>

Il Disegno del Gioiello Italiano dal XIV al XXI secolo.<\/em> OADI, Numero Speciale 1\/2026. A cura di Lucia Ajello e Bianca Cappello, con una premessa di Maria Concetta Di Natale e saggi di sedici autori.
Sette secoli di disegno del gioiello italiano, circa duecento immagini, per la maggior parte provenienti da archivi.<\/p>

Mi sono occupata del progetto grafico.\nLe immagini erano l\u2019altro problema.
Alcune non avevano una qualit\u00e0 sufficiente per la stampa.\nFotografie di documenti. Fogli del Cinquecento con l\u2019inchiostro ormai sbiadito. Incisioni acquisite in modo piatto, con il contrasto quasi scomparso e i dettagli nascosti sotto un velo grigio.<\/p>

Cosa significa restaurare, qui<\/strong><\/p>

Migliorare la qualit\u00e0 senza perdere l\u2019originale.<\/p>

In un libro come questo non \u00e8 una questione di come appare la pagina.\n\u00c8 una questione di quanto quell\u2019immagine possa ancora essere utilizzata.\nGuardate il bordo inferiore del foglio di Grondoni, prima e dopo. S.D. Froidevaux invenit.<\/em> I.B. Bertelsman sculpsit.<\/em> Tra i due, il timbro della collezione.\nIlleggibili nella prima immagine. Leggibili nella seconda.<\/p>

Un\u2019immagine troppo scura per mostrare chi l\u2019ha incisa \u00e8 un\u2019immagine che uno studioso non pu\u00f2 citare.<\/p>

La regola, quindi, era semplice.\nRecuperare ci\u00f2 che esiste. Non inventare nulla.\nLa piega resta. Le macchie restano.\nL\u2019angolo strappato resta.<\/p>

Immagini riprodotte da Segni Preziosi. Il Disegno del Gioiello Italiano dal XIV al XXI secolo<\/em>, OADI, Numero Speciale 1\/2026, a cura di Lucia Ajello e Bianca Cappello. ISBN 978-88-905939-8-7. \u2192 oadirivista.it<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cesare Varenna, foglio di progetto. Prima.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Cesare Varenna, scheda di progettazione. Dopo.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I crediti dell\u2019incisore tornano leggibili lungo il bordo inferiore.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ciampoli, tavola FC35098. Prima.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Ciampoli, tavola FC35098. Dopo.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Un libro \u00e8 uno dei pochi formati che non puoi aggiornare una volta stampato e distribuito.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Vuoi parlare del tuo brand? \u2192 Scrivimi un messaggio<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

EDITORIAL & PRINT Art Direction \u00b7 Graphic Design \u00b7 Editorial Photography \u00b7 Image Restoration Milan, Italy \u00b7 2022 and 2026 Two books on Italian jewellery. Both written by the same historian. Bianca Cappello writes about jewellery. She is a historian and critic, a member of the Society of Jewellery Historians in London, and a Perito […]<\/p>\n","protected":false},"author":1,"featured_media":4740,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-4736","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nCarlo Zini & Segni Preziosi: Book Design | Sogand Nobahar<\/title>\n<meta name=\"description\" content=\"Art direction, graphic design and photography for Carlo Zini DREAMS, and graphic design and archival image restoration for Segni Preziosi, OADI.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sogandnobahar.com\/it\/editorial-print\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Editorial & Print | Sogand Nobahar\" \/>\n<meta property=\"og:description\" content=\"Two jewellery volumes. 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